With October and November, the exciting launch of several new titles: The Aesthetics of Breath, a debut full collection by Charles G Lauder Jr; Cuckoo, a debut full collection by Nichola Deane; Patience, a new poetry pamphlet by Nina Lewis; About Leaving, a debut poetry pamphlet by Ian Glass. (Click on the titles for endorsements, sample poem and ordering.)
The Protection of Ghosts
Jennifer Wong, The Poetry Review, full review of this "poetic testimony" in Vol 109, No 3, Autumn 2019.
"Family and inheritance are recurrent motifs in Natalie Linh Bolderston's wonderful debut pamphlet, The Protection of Ghosts, [...] This passage exemplifies Bolderston's empathic vision, which infuses all of the poems. It also demonstrates her poetic style, which abounds in gorgeous sensual detail, even when describing something as painful as forced migration. [...] Boldertston is admirably at ease with uncertainty – hers is a poetics steeped in the imagination, which deals in fragments and partial knowledge."
Sarala Estruch, Poetry London, issue 94.
"Natalie Linh Bolderston’s debut pamphlet, The Protection of Ghosts (V. Press, 2019), is an exquisite lyrical exploration of the question: what does it mean to live as plurality? It examines how our identities are impacted not only by the stories we inherit, but in how they are told and retold, how they bloom and how they rupture—what they capture and what, despite our very best efforts, will always elude us. [...]
"It is the richness of this interplay between instance and imagination that makes The Protection of Ghosts so compelling. Multiplicity is both metaphorically and imagistically examined. [...]
Alycia Pirmohamed, amberflora, full review here.
"The Protection of Ghosts is deceptively slender; the poems within carry more heft than the size of the pamphlet suggests. Every poem crafted to bear being read more than once and each reading yields a new discovery."
Emma Lee, Sabotage Reviews, full review here.
More information about The Protection of Ghosts, a sample poem and ordering can be found here.
Emma Lee, full review here.
More information about Cuckoo, a sample poem and ordering can be found here.
“This device enables Gee to create dissonance between the customer’s views of themselves and Nona’s own perceptions of them. The mismatch between Nona’s view and reality underpins particular poignancy in some poems. […]
“Nona and her customers are everyday heroes.”
Rennie Halstead, OPOI (One Point of Interest) review, Sphinx, full review here.
"In this lovely pamphlet — beautifully illustrated too with prints that complement the poems well — the poet, Louise Warren, creates a vivid world where indoors and outdoors bleed into each other, and this mythic figure John Dust gallops about his business. [...]
"The result is a rich, stitched mesh of a world captured on — or more precisely in — its own terms. ‘Come up by coach, by train, come up by Jack the Treacle Eater’, she invites in ‘Town’; sure enough, her language winds me in."
Charlotte Gann, OPOI (One Point of Interest) review, Sphinx, full review here.
More information about John Dust, a sample poem, illustration by John Duffin and ordering can be found here.
Heroines: On the Blue Peninsula
“Varley-Winter has an eye for picking out details which made me pause, reminding me of the delicacy and strangeness of nature [...] Rather like putting a shell up to your ear, you can hear the ocean through the words.”
Nell Prince, OPOI (One Point of Interest) review, Sphinx, full review here.
Becky Varley-Winter talks about the pamphlet and some of her inspiration here.
More information about Heroines, a sample poem and ordering can be found here.
These nights at home
“[..] Using white space, sparse lines, couplets, lists, prose and short sequences and a meditative pace, Reed infuses his writing with a persistent sense of loneliness, a wash of grief and a quest for the parted. [...]
“The pamphlet successfully expresses this most personal challenge. The world keeps spinning and yet, for the narrator, it brims with the beloved’s existence in dreams, in hauntings, repeat sightings, in voids and lonely spaces, reminiscent of a Hopper painting.”
Maggie Mackay, OPOI (One Point of Interest) review, Sphinx, full review here.
More information about These nights at home, a sample poem and ordering can be found here.
Three Men on the Edge
Michael Batholomew-Biggs, London Grip, full review here.
“Michael Loveday’s searing observation of loneliness and unspoken desire are subtly interwoven in this collection […] They are heart-rending stories of remoteness. […] Loveday’s languid and dexterous language floats from the page […] Each man’s life is tenderly drawn, gently exposed, and you feel their sadness. Three Men on the Edge is an extremely moving novella.”
Jacci Gooding, TSS Publishing, full review here.
“In a series of vivid, precisely crafted, breviloquent fictions, Loveday casts the spotlight on three men in difficult straits who live in the ‘edgelands’ in and around Rickmansworth.
“[…] So, emptiness, sadness, meaninglessness, madness, an outer suburbia where it seems always to be drizzling. But in that mysterious transformation that only art can achieve – a pleasure to read.”
Robin Thomas, Envoi 183, full review in the journal.
Amanda McLeod, Amanda McLeod Writes, full review here.
More information about The Neverlands , a sample flash fictions and ordering can be found here.
"Midnight Laughter largely succeeds in blending the seemingly antithetical styles of horror and humour. While this is not a unique achievement, McDonald manages to tell original tales within the genre."
Rhys Knapman, Sabotage Reviews, full review here.
More information about Midnight Laughter, a sample flash fictions and ordering can be found here.
The Chemist's House
" It is pleasing that publishers such as V exist. It is similarly pleasing that quality flash fiction such as the pieces in The Chemist’s House are available. More strength to V and more strength to Jude Higgins. I look forward to reading more."
Andrew Taylor, The Ofi Press Magazine, 64. The full review (page 36), with more on Jude Higgins’ eye for detail and her skill in keeping the reader focussed can be found here.
More information about The Chemist's House, a sample flash and ordering can be found here.
A sneak preview of two 2020 collections, forthcoming in January 2020 (I, Ursula by Ruth Stacey) and May 2020 (A Bluebottle in Late October by John Wheway)!
SUBMISSIONS & NEWS OF OTHER FORTHCOMING TITLES
All of the submissions under consideration by V. Press over the summer should have now received a response.
As well as the last titles from our initial 2018 submissions window, we have Diane Simmons' flash fiction novella An Inheritance lined up for next year. We are also working on a poetry pamphlet Winter with Eva by Elaine Baker, a joint poetry pamphlet from V. Press poets Claire Walker and Charley Barnes and a new collection from V. Press poet Jenna Plewes.
We're delighted to announce too that Carrie Etter will be guest editor for a striking poetry pamphlet by Miranda Lynn Barnes.
With the pamphlet by V. Press Prize for Poetry 2019 winner Kelly Williams also scheduled for next spring, it's already looking set to be a great 2020!!!
OTHER NEWS & ADVANCE NOTICE ON V. PRESS HOLIDAYS IN 2020
For the first time since V. Press started publishing solo poetry pamphlets, then also collections and flash fiction titles, editor Sarah Leavesley will be taking some months out - January 2020, partly for judging the Against The Grain Poetry Press poetry competition, and December 2020 for a writer residency in Latvia.
Someone will be taking on the posting out of individual orders made from our website or through Amazon, so the public and readers should notice little difference, except possibly a marginally slower than usual posting out.
However, V. Press will not be responding to general email, marketing requests, bulk orders, The Reading Room enquiries etc during these periods. We thank you very much in advance for your understanding.
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