Monday, 14 March 2016

Chez Nous Recommendations for The Girl Who Grew Into a Crocodile


Claire Walker’s The Girl Who Grew Into a Crocodile is a pamphlet that I can imagine dipping into deliciously anywhere – cafĂ©-bar, beach, garden or even a busy train. In part, this mirrors the various settings found in the poems. In part, it’s a reflection of the poetry’s pull on me, so that I’m desperate to keep reading wherever I may be.

I could recommend enjoying this with a gin and tonic, as in ‘Stephanie’, allowing the liquid to slip down the throat smooth as silk, smooth as the words – a clean, clear drink that “cracked the cold ice”.

Alternatively, a refreshing  jasmine tea would perfectly accompany the zen-like care of poems such as ‘Miniature Garden’.

Another option for later in the day is a glass of white wine, enjoyed on the lawn, with unmown grass, the “simple yellow greetings” of wild flowers  and surprising long light of an evening in June where “we’ve hours before it gets dark” (‘Isn’t it light tonight?’).

But The Girl Who Grew Into a Crocodile is a collection, like its title poem, that also has teeth. For these poems, and the poems of beach air, the sharp salt tang of a tequila – a strong drink for strong poems, with a hint of fire and sunshine in every mouthful.

The one important characteristic is a flavour that lingers and tempts, like the pamphlet, long after the cup or glass is emptied.

Anon Poet
For a sample poem, please click here.

To order a copy of Claire Walker's The Girl Who Grew Into a Crocodile, please use the paypal link below.


The Girl Who Grew Into a Crocodile P&P options

Wednesday, 9 March 2016

Chez Nous recommendations for Hometown


Hometown by Carrie Etter is flash fiction so charged with repressed emotion that you’ll want time to savour all its layers.

Set in the American Midwest, it’s a world of journeys. Not always on the road. Cars get mentioned a lot…as they weave their hidden secrets amongst the ‘neatly trimmed lawn’ and ‘clapboard houses’ of suburbia in the towns of 'Downs or Towanda Maybe'.  A roadside diner is where you could imagine reading this book - the kind where the waitress lets you linger over the menu.

This is no time for American Pie, though.  You’ll want your coffee strong, espresso style, with dark silky chocolate.  I’m thinking death-by-fudge-cake or pancakes with molasses and a jug of cream on the side.

You’ll need deep, lingering flavours to savour as you view Etter’s take on these fractured hometowns where trouble comes to the door and knocks. Sometimes the door gets opened – usually to a surprise: a woman who hides her drinking eyes behind dark glasses in 'Prospects' or a strange paper ball containing ‘the iridescence of tears’ in 'Mauve'.

To complement this complex cast of characters, may I recommend a bourbon - New Richmond Rye - with its fine blend of grains that may just be the match for savouring Etter’s linked fictions 'Manslaughter'…or when considering the effects of generation upon generation, perhaps a Border Straight Bourbon, made from traditional aging with no shortcuts, is the one to whet your juices.

Wait.  We’re not in the bars of Minnesota or Wisconsin now. It’s going to have to be a Jack Daniels or nothing.

Perhaps it’s time to pour another coffee.


Jane Campion Hoye
www.inspire2speak.com


For a sample flash from Hometown, please click here. The pamphlet is officially published on 4 April 2016, and copies may be pre-ordered (for posting the week of publication) using the paypal link below.


Hometown with P&P



Jane Campion Hoye is a poetic writer, storyteller and performer, who has gathered knowledge of a diversity of wines from around the world…whether filming in a German vineyard or sampling the liquid silk of a smooth cabernet on Stellenbosch’s wine route in Cape Town.  And not only wine. Her poem 'Waterfall Glory', recently selected for international publication Inspired By My Museum, was first penned on a visit to the Guinness Museum in Dublin.

Monday, 22 February 2016


We're delighted that Claire Walker's The Girl Who Grew Into a Crocodile was chosen for the Other New Pamphlets section in the Poetry Book Society's Spring Bulletin.


The Girl Who Grew Into a Crocodile P&P options

Tuesday, 10 November 2015

Christmas Offer, 2016 Titles & Submissions

Christmas is  coming, so V. Press is getting in the spirit with a special Xmas Poetry Bundle offer, plus news of our 2016 plans.

Xmas Poetry Bundle


In the run-up to Christmas, we are offering a package of all three V. Press 2015 poetry pamphlets for £14.00 (including P&P in the U.K. only).

The paypal button for this poetry bundle is below and information about the individual pamphlets can be found in the following links: Ransom Notes by Jacqui Rowe, art brut by David O'Hanlon and The Girl Who Grew Into a Crocodile by Claire Walker.



V. Press Xmas 2015 Poetry Bundle
(£14, including P&P in U.K. only)

(The offer still stands after December 18, 2015 but with no guarantee of arrival in time for Christmas 2015.)

The New Year & New Titles


Our publications lined up for the first half of 2016 are: Book of Bones, a full-length poetry collection by Kathy Gee; Hometown, a flash fiction pamphlet by Carrie Etter and The Old Man in the House of Bone, an illustrated poetry pamphlet written by David Calcutt, with illustrations from Peter Tinkler

Strong submissions during this year's submission window has made our final selections particularly hard. We are now working with a number of poets on various projects and manuscripts…so hopefully more announcements soon about publications for later in 2016 and into 2017.

For those interested in submitting to V. Press


The past two years, we have run a month-long submission window in August. Next year we anticipate a few changes. These include widening submissions to flash fiction pamphlets, as well as poetry. We may have a slightly longer window period, a different timing for our submission period, and possibly two submission windows instead of just one. If you are considering submitting your manuscript to us, please keep an eye on the website from February 2016 onwards.

Thursday, 8 October 2015

National Poetry Day Pamphlet Offer

Today is the UK's annual National Poetry Day. This year's theme is light, so we've lightened our already light prices to create a special poetry day offer.

For 24 hours only, U.K. readers can buy a package of all three V. Press 2015 poetry pamphlets for £12.50 (including P&P in the U.K.) - a saving of more than £5 on our full price!

The paypal button for this special offer was below (removed after the 24 hours), followed by a sample poem from each pamphlet.

Happy National Poetry Day!


From CLAIRE WALKER'S THE GIRL WHO GREW INTO A CROCODILE

The Girl Who Grew Into a Crocodile

When she was young, they'd swim. Take off
sandals and frilled ankle socks and jump
into the river. She loved to feel the water pull
ribboned hair to float behind her.

The games started with smiles: splashing; testing
who could hold a breath longest. They never matched her.
She was born to lie in wait, to feel the kiss
of the current in her ears until her head turned light.

But children wish to win. The others turned
as green as the rushes lining their pool. They plotted, held her
down too long. The water swilled round her lungs and she coughed
her heartsong out with it.

That night, she lay awake under a sky that was turning
tides with its dust covered ball. She pulled the cold rock
down, seethed until scales replaced skin, found the biting point
of a new jaw and wished for the crunch of bone. 

Next time, she waited in the shallows, camouflaged
in the rushes, cold blood immersed. Eyes broke
the surface, webbed feet treading water. The sun hit
her back and she felt her armour shine.

Then she made her move. Opened up
her huge grin. Felt never-ending enamel sink through flesh
as easily as arms stroke water. She snapped her jaws shut.
Swallowed the damage whole. 

Claire Walker

From DAVID O'HANLON'S ART BRUT

art brut

So, after my swirling black abyss, a work
still in progress, we turned to Sophies landscape:
a jazz-hands sun, the wide Vs, almost Ms
of birds, a green ribbon, edge to edge,

and, poking their heads up out from the grass
five earthworms, five pink splodges
more finger than worm, with blobbed eyes
and theres-no-bad-in-life smiles.

Are they supposed to represent real people
or a specific event, maybe?
Its a fascinating choice of subject matter.
Worms usually have quite negative associations,

particularly death, but yours are content,
blissful. Do you think maybe theres
something in that, a desire to make
positives from even the worst situations?

She didnt take it with her.
Like others left behind, it ended up
on the wall where, my sentimentality
assures me, it remains, unfaded.

David O'Hanlon
From art brut

From JACQUI ROWE'S RANSOM NOTES


PHLOGISTON

but light was not his field
dirtier in busy doors and tightly
woven doorways shades

of its refraction dimmed
and skimmed dishevelled ladies
his brain kept flaming

spills alive in bell jars birds
fell dead out of the sky his phantasy
revelled at length in patterns
of great earthquakes the certain

stars showed smiles
of loosened hair that wicked
away all terrible appearances

and unforeseen in time he went
for phlogiston and weeping said within
himself the first breath of a word

Jacqui Rowe
From Ransom Notes

Thursday, 1 October 2015

Launching The Girl Who Grew Into a Crocodile

The Girl Who Grew Into a Crocodile

V. Press is very proud to announce the publication of The Girl Who Grew Into a Crocodile by Claire Walker.

Daughter, wife and mother; femme fatale, object of study and maker of myths…The Girl Who Grew Into a Crocodile explores what being a real woman has been, is, and could be in today’s society of celebrity, stereotypes and media spin. Beneath the poems’ sometimes quiet surfaces, a strong voice, pared word choices, precise images and thought-provoking metaphor make this a powerful pamphlet. The Girl Who Grew Into a Crocodile is very vivid and very resonant.

"Claire Walker's debut pamphlet The Girl Who Grew Into a Crocodile is a riveting meditation on motherhood and transformation that crackles with drama. There are moments of lyrical delicacy and oceanic longings, and Walker's perceptual acuity pitches the reader into a world where nothing is taken at face value – a girl might be a crocodile, a mermaid could become captor, and seeds are studied for their mnemonic potential. This is a work to be savoured." Carolyn Jess Cooke

"A confident and impressive debut by Claire Walker. The alluring qualities in this collection are the sense of mystique in many of her poems which at first glance appear elucidating. The stylistic fusion of narrative and illustrative poetry see-saws from the adult experience of life to a fabling account of the innocence and fragility of childhood and adolescence. Claire Walker is a writer who clearly cares about her craft and some of the dreamlike qualities of this collection are reminiscent of Joy Davidman’s work." Antony Owen

"These are poems of growth, fertility and flow – rivers, plants, women. Claire Walker skilfully combines nature, myth and the everyday, and when reading her work, it’s difficult to imagine a world where things are ever any other way. The Girl Who Grew Into a Crocodile is a stunning, quietly powerful debut pamphlet, full of wistful smiles and blissful tears." Kate Garrett 

RRP £4.99

This title is now out of stock.


The Girl Who Grew Into a Crocodile

When she was young, they'd swim. Take off
sandals and frilled ankle socks and jump
into the river. She loved to feel the water pull
ribboned hair to float behind her.

The games started with smiles: splashing; testing
who could hold a breath longest. They never matched her.
She was born to lie in wait, to feel the kiss
of the current in her ears until her head turned light.

But children wish to win. The others turned
as green as the rushes lining their pool. They plotted, held her
down too long. The water swilled round her lungs and she coughed
her heartsong out with it.

That night, she lay awake under a sky that was turning
tides with its dust covered ball. She pulled the cold rock
down, seethed until scales replaced skin, found the biting point
of a new jaw and wished for the crunch of bone. 

Next time, she waited in the shallows, camouflaged
in the rushes, cold blood immersed. Eyes broke
the surface, webbed feet treading water. The sun hit
her back and she felt her armour shine.

Then she made her move. Opened up
her huge grin. Felt never-ending enamel sink through flesh
as easily as arms stroke water. She snapped her jaws shut.
Swallowed the damage whole.