V. Press is very very pleased to celebrate this year's National Flash Fiction Day with editor Sarah Leavesley's 'A Flash Guide to V. Press'.
The piece was originally written for a blogpost for the National Flash Fiction Festival, which takes place at Trinity College, Bristol from July 20-22 and will feature a V. Press showcase.
The showcase on Sunday, July 22, will feature readings from this year's V. Press titles: There's Something Macrocosmic About All of This by Santino Prinzi and Michael Loveday's flash fiction novella Three Men on the Edge.
More about the festival can be found on the festival website here.
A FLASH GUIDE TO V. PRESS
In summer 2018, V. Press celebrates its fifth birthday. It’s
a very, very delightful coincidence that it also marks the publication of our
fifth fiction title!
The press was originally set up and launched at Ledbury
Poetry Festival in 2013. But it only really got going in 2015, with three
poetry pamphlets. In 2016, V. Press published three poetry pamphlets, a poetry
collection and our first flash pamphlet. This increased to nine titles in 2017,
with a similar schedule for 2018.
The move into publishing flash fiction alongside poetry was
an organic one. I’d long admired Carrie Etter’s poetry and I was delighted to
be able to publish her fiction pamphlet, Hometown.
Our range has built up from there, with clear black and white photographic
cover designs to make our fiction immediately and distinctively discernible
from our poetry titles.
The compressed nature of flash sits well alongside poetry, but
I also like work that mixes artforms or threads across genre boundaries. I have
eclectic tastes in my own reading and writing; I think this is reflected in my
choices as an editor and publisher.
One thing I look for in manuscripts is not just great
individual pieces but some overall cohesion. The pamphlet in particular is
perfect for sequences of poems and short fiction which combine to create a sum
that’s greater than its parts.
So, Carrie Etter’s Hometown
is very immediate and very engaging, with emotion-charged stories, distinctive
characters and strong tensions. Jude Higgins’ very evocative and very colourful
The Chemist’s House is a moving,
interconnected coming-of-age flash tapestry of family love and conflict.
Charlie Hill’s Walking Backwards is a
touching, funny and melancholic mix of short fiction that is very human and very
distinctive.
This year, Michael Loveday’s Three Men on the Edge is a very
richly shaded and very unconventional novella-in-flash. This heart-felt
narrative of three men living on the edge of London is also funny, scary and
beautifully crafted, with poetic language and emotional precision. Meanwhile, the very
human and very heart-provoking flashes in Santino Prinzi’s There's
Something Macrocosmic About All of This range across hilarious, playful,
profound and fierce as they pick out the big truths in everyday moments.
Ultimately, the choice of titles is subjective – and not
just about the individual manuscript, but also how it fits with V. Press’s
overall range. I’m pleased this includes work from open submissions windows. It’s
really exciting to discover new work by new writers as well as established
names!
We had a poetry submissions window
open in April/May 2018, which will now be followed by a flash fiction submission window in July.
But I’m also exploring the possibility of guest editors – to potentially
increase the diversity and maybe even number of titles that we publish, as well
as potentially allowing writer-editors based overseas to influence the work
that V. Press produces.
Although we’re not yet five years old, it’s been great to
see the press shortlisted in the Michael Marks Publishers’ Award 2017, as well
as many of our authors picking up their own wonderful individual reviews,
awards and accolades.
More information and sample flashes/poems can be found on
our website and please do follow us on twitter
at @vpresspoetry. I’m also very very much looking forward to meeting writers
and readers at this year’s Flash Fiction Festival!!!
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